n The chosen site is marked on the land by four boundaries and isolated from their surroundings by tape. A perfect square therefore limits the zone of observation. It is the "marking out" of the place and our way to take possession of it. 

In some particular cases, the site is more simply pointed by a staff. 

n Imprints are taken in various sizes in silicone in order to restore the "tactile memory" of the site. It is the touch of the place. 
 
n Color photographic details identifies relevant objects into the zone, such as a zoom with the microscope. 

n B&W photograph details of the ground material are realized at random into the square, such as a scanner. 

..."

I interrogate the walls and the grounds like others question the words. I try to understand myself and ourselves through the life of the other one that is inscribed into the strata of the matter in destruction. I fathom the mystery, I sound the "seen", the "heard", the "touched" and I am feeling deaf, blind; then, I palpate the signs. Each wrinkle, mark, scratch or graffiti reminds a story, arouses an imaginary, a feeling, a pleasurable sensation in front of the unknown identified or invented. I search for the trace, the footprint in the desert. 

The silicone, used to take the imprint, transfers the feelings; it shuts up the colors and the particles of matter. It freezes and fix an instant of life. It reveals me, in negative, other images and other realities. It compels to the motion and to the touch. Finaly, the imprinted object- heavy and opaque- metamorphoses into a "volumetric image" - blurred, fragile, vague and poet"...